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Flowers and Birds of literary taste Huizong 4G Jammers  

2014-07-29 16:17:51|  分类: 默认分类 |  标签: |举报 |字号 订阅

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North Song Dynasty began to appear independent of the academy system literati painters painter, they Su Shi Wen Tong, Li-lun, Mi Fu and other artists represented. Su very respected painter Tang Dynasty poet Wang Wei, has commented that "Poetic Taste Mount interrogate, the poem paintings; flavor Mount interrogate the painting, painting in poetry", this review presents an indirect sense of taste literati painting, Wang Wei, later revered as the founder of Chinese literati painting. When Xu Huang allogeneic experienced nearly a hundred years in the Northern Song Dynasty, many writers are no longer satisfied with the academy of fine Nongli realist painter single style, but tend to be more close to Xu Xi literati style aesthetic tendencies, "Song paintings assessment "that" literati who proposed for the fruit, often Chong Shang Huangquan, Cho Chang generation, sketching and color cover its circuitous out of man to Xi as the, all, ashamed Germany, "Another point to note is that the" Vision and Hua Pu "has the words:"? Quan's paintings cover then God is not good, Chang's paintings are wonderful and not God, and are both a wash and empty it as Hee tonight "and this book is Huizong Zhao Ji's behest written by Zhao Ji inevitably affected the position of judge of painting, from the description of this passage, you can feel the indirect Zhao Ji reversing the early generations of emperors of the Song Dynasty painting style certainly Huang Quan, euphemistically expressed above Huang Xu Xi Tsuen view.

academy painter valued shape, literati painters attention to expressive; academy painter valued works fine description, literati painters put pen to paper to write the poet's attention to the gas; academy painter value techniques, literati painters more attention artistically; academy painter valued representation, literati more emphasis on the physical painter reflected in his writings overflow chest. Su Shi, "after Zhu first elephant painting" in Speaking in: "Can not find the text move, good painting and not attract buyers, said Wen to reach my heart, Wu Yi painting to fit it." This is a scholar Su Shi standing position of literati painting an interpretation of the purpose, he believes painters painting for trading while painting, to survive while painting for painting and drawing, and literati painting to express the chest to think, to express the nature and painting, different starting point, the expression different contents. Of course, he could not foresee a few years later, during the Ming and Qing literati painting to enter the market to participate in commodity trading conditions. Dong "book after Lee Sung painting," said: "the one art past, which were to have combined in the Road, this ancient technique is also called near." This sentence describes the literati painting techniques with Tao, the style relations, the so-called technique, "to learn the growing" and must reach a certain height through a lot of painting practice; called Tao, "day loss for the Road", on the one hand through the accumulation of comprehensive literacy, on the one hand to reduce the secular thinking, in-depth of life, a natural sentiment. Academy painters emphasis on technology, almost depicting nature, convey personal feelings smaller proportion of the screen, while the Song Dynasty painter emphasis on technology road into two, especially as the most important channel to reflect the scene by subjective and objective sense, the picture convey more of their own attitude towards life, a feeling of natural law.

Huizong Zhao Ji Duan in knighted when he and the then king consort Du Wei Shen, Wu Chen Wuyuan Yu exchanges very thick. Wang Shen is a famous Song Dynasty scholar and artist exchanges and Su Shi, Wen Tong, Li-lun and other masters are also very close, "West Park Gathering" location for literati praiseworthy history is in the back garden of his mansion, the Its paintings representative of "fishing village snow figure." Wuyuan Yu, "Vision and Hua Pu," chronicles his "good painting, teacher Cui, the gas can change the so-called secular academy who," "since the fathers, as compared Geisha Picture Academy, will be to Huang Quan and his son strokes for the program, confession and吴元瑜 out his cell then becomes, "Wuyuan Yu inherited Cui painting style mantle, in contrast to academy painter Huang Quan style, heavy ink while reducing color in flowers and birds in the use, through interaction with these literati painters, and then plus its own literary accomplishment, Zhao Ji I laid the flowers and birds on the creation of aesthetic ideas.

bird and 4G Jammers flower painting in the style of performance, Zhao Ji asked academy students to get the shape quite similar to the basic requirements, in-depth nature, physical experience, not only the quest for natural appearance, more natural quest for love, but it is slightly biased in favor of himself with the indulgence of ink, such as his masterpiece "loquat blackbirds map" painting style elegant, delicate, pure form of meticulous ink used to write on, not 施丹青, but own a lively air. The little for Kampf, depicting scenes is not large, but the lush loquat and a tit eagerly look back flying butterfly dancing composition, Vivid, elegant style reflects Cui Xu Xi and white bird and flower painting style elegant, not harmony prevalent custom, the practice of literati painting aesthetic philosophy. All for almost no trace hook line closer Xu Xi's "off the ink to the grid." Thus, the literati paintings from Explosion Proof Solenoid Valve this period did not shape constraints in dealing with the shape of the issue, "Yizhou paintings record," said "There is no shape artistically, the quality is better than text; artistically who have no shape, the flashy ", this argument is consistent with the views of Su Shi, Su literati painting theory proposed by others, does not exclude the shape, the shape and even admired, in its" "There are:" The book Huang Quan Huang Quan painting painted bird flying bird, Fair enough neck are, or say 'enough birds necking the exhibition, the exhibition neck flinching, no two exhibition persons' experience of faith and then I perceived that those who view things without trial, although the artist and can not, the status of its greater peace Cell Phone Jammers ? "This is the future generations Ni Zan's" Degage not seek shape "contradictory, combined Zhao Ji's" loquat blackbird map "can be seen, the Song literati painting theory out of the Six Laws of Sheikh" Different Kinds of color "barriers, but no escape" should matter pictographic "constraints.

The rise

Ink meticulous flower, and bud development in the Song Dynasty literati painting fit the theory, but represents a shift from the early Northern Song Dynasty decorative flower and bird palace practicality entertain, edify, sustenance taste appreciation; from turned to the big screen walls literati desk clearing goods admiration, enriching the diversity of the art of painting.

Zhao Ji's other works include ink bird bird "Liu crow map", "pond Qiuwan map", "four birds map", this art form in the Song Dynasty made a high achievement, such as in the Song Dynasty Anonymous's "Ink Hundred Flowers", and Zhao Ji ink bird bird form, like the color is not applied, but the pen with ink on more stringent than Zhao Ji's works, is a extremely gorgeous, attributed to plain aesthetic.

Today's meticulous flower creation in a Hundred Flowers stage, but the disadvantages are also obvious, especially in traditional Chinese painting color expression, between the degree of Yasu difficult to grasp, meticulous flower, painted a gaudy easy draw elegant a difficult, difficult to see elegant in gaudy. Many artists began to focus on meticulous flower ink, ink Huizong Zhao Ji many bird bird work began to attract attention to Zhao Ji Cui white painting style is based on the theory by the Northern Song Dynasty literati painting its refinement, enrich the forms of fine brushwork bird. This form of painting because of the overall quality of the artist himself is relatively high, which requires both painters superb technique and observation of nature, understanding the nature of the practice, but also with the author's literary accomplishment and calligraphy, inherited only a handful, but for us today meticulous flower forms creation, then have a very positive reference. (Jilin Museum Lei)

Source: Art Newspaper

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